We’ve been covering The Industry a lot lately, but that’s only really because they’re up to a lot of awesome stuff. And their fundraising model involves getting Würstkuche’s downtown location to donate at least 10% of income from 6 til 10 pm this Sunday, March 22. Plus artistic director Yuval Sharon and co. will be there, presumably drinking beer and eating sausage and fries.
I’m gonna come out and say it: Würstkuche’s truffle fries are the best fries in LA.
In addition, they’ve just released a trailer for the opera, which premieres in fall. Check it out.
Here’s a picture of the aforementioned truffle fries.
Yep, you read that right. New ClassicLA is having a house party. This Friday at 8, Aron Kallay and Rafael Liebich will be premiering piano pieces by Ben Phelps, Jason Barabba, and yours truly (along with a few other locals) at my
house apartment in Santa Monica. I’ll also be opening the first bottle of my homemade amber ale (fingers crossed that carbonation is going as it should), and I believe a friend is bringing up a keg of something awesome that he made too. And Jason has agreed to make some kind of cakes, which I can tell you from personal experience will be utterly delicious. But yeah, the music! It’s going to be killer, and nice and loud, and you should come. I’m not so hot on posting my address on here, so email email@example.com and I’ll send it to you.
Then, Saturday, at 3:00 pm (more than enough time to get the shrimp omelette at Literati on the way over from my couch), Abagail Fischer presents ABSYNTH at the Hammer as a part of wild Up‘s residency there. Here’s the info from the facebook event page:
ABSYNTH is a constantly evolving multi-media program for electronics and voice, conceived by mezzo-soprano Abigail Fischer and directed by wild Up founder Christopher Rountree. Hailed as “riveting” (New York Times) and “sumptuous” (Boston Globe), Ms. Fischer makes her premiere performance in Los Angeles here. This program will include commissioned works by Nico Muhly, Caleb Burhans, Kevin McFarland, Florent Ghys, and interspersed by other works by Missy Mazzoli, Wes Matthews, Kurt Weill, Milton Babbitt, and more. Richard Valitutto will assist on keyboards.
ABSYNTH has been performed in varying lengths since 2007, in locales from John Zorn’s Lower East Side venue- the Stone, to Brooklyn’s Galapagos Art Space, presented by American Opera Projects.
Slightly late notice, but Nicholas Deyoe‘s record with throbbing eyes, which features Red Fish Blue Fish, The Formalist Quartet, Stephanie Aston, and Brendan Nguyen, is coming out this Tuesday, January 17th. It will be the first release from Populist Records, a new label based in Echo Park, owned and operated by Andrew McIntosh and Andrew Tholl.
The release party will be held on Monday at Machine Project from 1 to 4 pm, and Mr. Tholl mentioned to me that, in addition to performances and Eagle Rock Brewing’s Populist IPA (which is delicious), there would be cupcakes. As such, I highly recommend going, and am again saddened by the prohibitive 9 to 5 lifestyle that I’ve adopted as of late.
I’ll have a review of the record up here soon. But why wait for me to review it when you could go hear it yourself, live, with cupcakes? Complete details are on populistrecords.com.
While it doesn’t exactly fit neatly into the realm of post-classical-neo-modern-pseudo-populist-concert music that we claim to cover on this blog, I figured some of our readers might be interested in the completely free block party in Echo Park this Sunday. Lots of bands, and apparently some food trucks and craft beer too. At least it had better be craft beer. If they’re advertising “world class” and show up with Heineken and Stella, I will stage a futile and largely ignorable personal protest.
For details (and to RSVP, which is required), go to uptheantics.com/cc2011.
You may have noticed that the concert listings page has been massively updated. If not, I recommend checking it out.