House on Fire (Andrew Anderson, Wells Leng, Richard An) present a concert of three works, by Celka Ojakangas, Élise Roy and Matthias Kranebitter.

RSVP at https://partiful.com/e/QjVHoxHpJYebBFlbRWFn

The ferocious ensemble is back with a selection of pieces for you—including pieces by Ludwig van Beethoven, Philip Glass, Antonio Vivaldi, Caroline Shaw, Johannes Brahms, Benjamin Britten, and more - to kick off Spring in the most delirious way imaginable!
 
Tickets from $15 to $100
https://www.deliriummusicum.com/concerts

ᴛʜᴇᴀᴛʀᴇ ᴏꜰ ᴏɴʟʏ ᴘᴏꜱꜱɪʙʟᴇ ʜᴀᴇᴄᴄᴇɪᴛɪᴇꜱ by @coreyvogeln [BROILER residency performance]

RSVP https://www.instagram.com/oracle_egg/

Jackiw will transport you to the exotic with Mozart’s “Turkish” Violin Concerto, while Adolphus Hailstork’s contemporary Baroque-infused Suite bridges the way to Prokofiev’s impeccably crafted Classical Symphony.

Program:
Adolphus Hailstork Baroque Suite
Mozart Violin Concerto No. 5 “Turkish”
Prokofiev Classical Symphony
Stravinsky Suite from Pulcinella

Artists:
Pasadena Symphony
Brett Mitchell, conductor
Stefan Jackiw, violin

For more information & Buy Tickets: pasadenasymphony-pops.org/concert/mozart-violin-concerto-5/

Additional performance time: 8:00pm

PROGRAM
Tyler Eschendal: ACTIONS
I. ARGUING
II. ACTING
III. SINGING
IV. ORDERING
V. EXPLAINING

Tyler Eschendal, Percussion and vocals
Diana Wyenn, Director

ACTIONS is a set of five interconnected movements exploring the musicality of speech and communication, redefining fluency, and confronting what it is like to live with a stutter. Each movement presents a different verbal or physical action (Arguing, Acting, Singing, Ordering, and Explaining) that uses percussion performances, theatrical monologues, and singing as a frame to draw attention to the experience of stuttering and other neurodiversities.

Alongside an estimated three million Americans, Tyler is a person who stutters.

From the artist: “For many years, I chose not to make music around my stutter because I didn’t understand it. I was concerned about sharing it with others because alongside harmful tropes often portrayed in media, I primarily identified as a covert stutterer: someone who purposely omits or substitutes words to avoid stuttering. Although the original goal of the short film series was simply to better understand my stutter, this live adaptation presents the opportunity to connect to other people who stutter across Southern California and rebuild the narrative around stuttering.”

https://synchromy.org/actions/

CONTENT WARNING: 13+, Strong Language

GRAMMY-nominated orchestral collective Wild Up presents an evening of works by maverick composer Julius Eastman as part of the To the Fullest festival. Wild Up cellist and Eastman scholar Seth Parker Woods performs The Holy Presence of Joan d’Arc—a live performance of one of the ten cello parts of the piece atop his recording of the other nine parts. This work is accompanied by Eastman’s seminal work Prelude to The Holy Presence of Joan d’Arc performed by soloist Dwight Trible, and followed by a new transcription of That Boy by Seth Parker Woods, composed by Eastman in 1973, with oboe, percussion, voice, and clarinet.  

https://www.redcat.org/events/2025/wild-up-1

Winner of the 2019 prestigious Carl Nielsen Competition, Swedish-Norwegian violinist Johan Dalene “is not just a virtuoso like many others, he is a voice. He has a tone, a presence” (Diapason). At the age of 23, he has performed with leading orchestras and in celebrated recital halls both at home and abroad. His ability to “make his Stradivarius sing like a master” (Le Monde), coupled with his refreshingly honest musicality and engagement with musicians and audiences alike, has won him countless admirers. In 2022 he was named Gramophone’s Young Artist of the Year.
johandalene.com
Tickets: https://arts.pepperdine.edu/events/2024-2025-season/johan-dalene.htm

PROGRAM
Tyler Eschendal: ACTIONS
I. ARGUING
II. ACTING
III. SINGING
IV. ORDERING
V. EXPLAINING

Tyler Eschendal, Percussion and vocals
Diana Wyenn, Director

ACTIONS is a set of five interconnected movements exploring the musicality of speech and communication, redefining fluency, and confronting what it is like to live with a stutter. Each movement presents a different verbal or physical action (Arguing, Acting, Singing, Ordering, and Explaining) that uses percussion performances, theatrical monologues, and singing as a frame to draw attention to the experience of stuttering and other neurodiversities.

Alongside an estimated three million Americans, Tyler is a person who stutters.

From the artist: “For many years, I chose not to make music around my stutter because I didn’t understand it. I was concerned about sharing it with others because alongside harmful tropes often portrayed in media, I primarily identified as a covert stutterer: someone who purposely omits or substitutes words to avoid stuttering. Although the original goal of the short film series was simply to better understand my stutter, this live adaptation presents the opportunity to connect to other people who stutter across Southern California and rebuild the narrative around stuttering.”

https://synchromy.org/actions/

CONTENT WARNING: 13+, Strong Language

Sunday, March 30 at 2220 Arts + Archives, 5:00pm: Electroacoustic with Vocal
Co-presented with People Inside Electronics
Brightwork Ensemble, David Cubek, conductor
HEX, Fahad Siadat, conductor

• Kohelet (2024) — Raphael Radna, for clarinet, cello, piano and electronics
• boiling blooming (2022-23) — Jiyoung Ko, for amplified flute, clarinet, trombone, piano, percussion, violin, and cello
• Echoes to Violet (2013) — Arman Gushchyan, for flutes, bass clarinet, violin, cello, percussion, piano, and live electronics. US Premiere
• soshi so$$$hi (2022) — Peter S. Shin, for pre-recorded voice and percussion
• If Not Numbers (2024) — Aria Gittelson, in a new two-instrument arrangement for Hear Now
• Snow Leopard (2021) — Taylor Joshua Rankin, for strings and synthesizers
• Tinte la clochette (2021) — Bill Alves, for soprano and stereo playback
• SYNAPSIS (2024) — Matthew Brown, for amplified SSATBB, voder, synth, and electronics 

https://hearnowmusicfestival.com/2025-concerts/

Drinkward Recital Hall, lower level Shanahan Center, Harvey Mudd College
320 East Foothill Boulevard, Claremont
Street parking available on Foothill Blvd.
Free and open to the public
arts.hmc.edu

Harvey Mudd College Presents
The Eclipse Quartet

The Eclipse Quartet returns to HMC with a concert that includes a California premiere from Boston-based composer Howard Frazin and the world premiere of Bill Alves' String Quartet in Two Movements.

Artists from The Industry come together to look back at their shared history of experimental and site-specific opera in Los Angeles, all in anticipation of Ash Fure’s upcoming production ANIMAL [the underground], which will take place in June 2025 as a co-production with OXY ARTS.

Three key figures from The Industry’s history—bass-baritone Cedric Berry, composer Anne LeBaron, and the organization’s Music Director Marc Lowenstein—will introduce excerpts from past and present productions like Crescent City and The Comet / Poppea. These insightful reflections and reminiscences will culminate with a brief panel discussion moderated by The Industry’s Executive and Artistic Director Tim Griffin. Come early to select popcorn and classic movie theater candy to complete your movie night experience.
Free event, no RSVP required. More info here:
https://oxyarts.oxy.edu/events/changing-image-opera-industry-seen-through-film

Artists from The Industry come together to look back at their shared history of experimental and site-specific opera in Los Angeles, all in anticipation of Ash Fure’s upcoming production ANIMAL [the underground], which will take place in June 2025 as a co-production with OXY ARTS.

Three key figures from The Industry’s history—bass-baritone Cedric Berry, composer Anne LeBaron, and the organization’s Music Director Marc Lowenstein—will introduce excerpts from past and present productions like Crescent City and The Comet / Poppea. These insightful reflections and reminiscences will culminate with a brief panel discussion moderated by The Industry’s Executive and Artistic Director Tim Griffin. Come early to select popcorn and classic movie theater candy to complete your movie night experience.
Free event, no RSVP required. More info here:
https://oxyarts.oxy.edu/events/changing-image-opera-industry-seen-through-film