With a name like “FACE|RESECTION,” you know it’s going to mess with your head. The album title is a merging of the two track names, Facesplitter and Bowel Resection, performed by Matt Barbier and released on populist records. Both use extended techniques transform the trombone into much more than a mere instrument.
The first track, written by composer and guitarist Nicholas Deyoe for solo trombone, imitates machine noises. A lawnmower here, a band saw there, and an electric drill and sink disposal in between evoke a soundscape of quotidian noise as music. Rarely is there a sound produced by Nicholas which does not have some parallel which can be heard from your own kitchen. This catalogue of techniques moves the listener to appreciate these noises more as music than something to be ignored. In short, I would call this music by a human about inhuman subjects for humans.
Clint McCallum’s piece is another technically startling trombone solo called “bowel resection.” It emphasizes circular breathing and uses the sniffs to remind the listener of the human behind the mechanism, of the organic being in machine. Another set of extraordinary trombone techniques, this piece brings a new emotion with each listen, one of which is, as you may guess from the name, disgust. But, like spectacular gore in a horror film, you won’t want to turn away. To compare this track to gore seems both blasphemous and fitting. You’ll have to listen for yourself.