A few months ago we heard the premiere of Daniel Bjarnason‘s Qui Tollis at the LA Phil’s Noon To Midnight festival (review here). Tomorrow, the Los Angeles Percussion Quartet brings the piece back to LA at the release concert for their album BEYOND. In the third of our series of exclusive videos, Daniel and the members of the quartet discuss the work.
Beyond that, Daniel was kind enough to answer a few questions:
In the video about Qui Tollis, LAPQ member Nick Terry describes it as having a combination of serenity and brute power. I’d say that about a lot of your other work too, particularly Emergence, which also came out recently. Is that balance something you actively strive for, or does it happen almost on its own as a result of your voice and taste?
I would say it is something that is a part of my own voice, like you say, and having realized that I don’t really fight against it but am aware of it. Sometimes I want to emphasize that characteristic and sometimes not.
You mentioned looking to other percussion works for inspiration on this one. Are there any particular inspirations, or pieces you discovered while listening, that readers can also check out?
I would like to mention one piece in particular that I completely fell in love with which is The So Called Laws of Nature by David Lang.
What excited you most about working on this piece with LAPQ?
I felt that they were really willing to go the extra mile to bring the piece to life. Apart from being fantastic musicians they have a wonderfully curious and positive attitude. For example the idea of using electronic triggers was entirely theirs and I thought it worked great.
You’ve been doing a lot in LA lately. What attracts you to the scene here? What’s different about it from Reykjavik or the other places where you are most active?
I’ve had the great fortune of developing a relationship with the LA Phil and I continue to work with them regularly which is an absolute privilege and joy. I have also worked the Calder quartet which is LA based and have been in touch with many other wonderful musicians and artists in the city. I find that there is this energy and curiosity in LA and a general willingness to experiment that I find invigorating. In some ways it reminds me of Reykjavik in that there is a feeling of everything being possible. I think that is what is attracting so many artists to the city now.