LACO’s concert this past Saturday night at the Alex Theatre featuring West Coast premieres from composer-in-residence Derek Bermel and Argentine megastar (in some circles) Osvaldo Golijov was a serious kicker of a season opener.
Maestro Jeffrey Kahane, who is celebrating his 15th year as LACO’s music director, opened the show with a surprisingly energized and bold sounding Overture from The Magic Flute. For a piece we’ve all heard a million times (and I wasn’t particularly excited to hear again), Jeff and the LACO cats breathed some serious new life into it.
I had brought a few friends who dig modernism but find most traditional classical music really dull, and they both said that it might have been the best performed piece of the night, and that they were totally into it. LACO 1, 99% of period instrument ensembles 0.
Golijov’s Sidereus was probably the highlight of the evening, although it didn’t overshadow Bermel’s Ritornello for a moment. The Golijov managed a bit of a post-minimalist, almost Inception-soundtrack-Hans Zimmer sound at times, with descending seventh chord arpeggios in the upper strings, but modal lines in the winds and constantly changing textures kept the piece interesting. Some particularly exciting downbeat-heavy brass polyrhythms toward the climax really carried the piece across the line from “well that was cool” to “where can I get a recording?”
Possibly the most impressive thing about it was Kahane’s handling of the rhythm. I’ve always thought of him as a colorist. He’s very sensitive to balance, and lets everything breathe, but I couldn’t personally imagine enjoying him doing, say, Rite of Spring. After this past Saturday I’d certainly like to hear it.
The Bermel, with Wiek Hijmans on electric guitar, may have been the stylistic high point of the evening. Most electric guitar concertos fail miserably, in that composers use sounds that are so idiomatic of the electric guitar – bent strings, chunky power chords, etc. – that the pieces sound totally forced, almost like a show of “look at me, I know how to rock too!” Such was not the case with Bermel’s Ritornello. If anything, he managed to find the perfect blend between the guitar and the ensemble, with the guitar’s broken triplet pattern being perfectly backed by the perfectly tonal harmonies outlined in the strings.
Hijmans is an excellent improviser – downright inspiring – and Bermel certainly gave him room to play. In what may have been good taste, Hijmans kept his improvisations short and to the point. I would have enjoyed it a bit more if he had extended his solo sections a bit further, but that was in no way detrimental to enjoying the piece.
The second half, Beethoven’s 4th piano concerto, saw Kahane return to his colorist self. There’s no doubt about his abilities as a virtuosic pianist, and it is great to see him conduct from the keyboard, but I felt that the performance lacked the punch and boldness it really needed to carry it over the edge. The audience dug it though, and called him back for an extended encore. Mark Swed over at the LA times seemed to think it rocked a little harder than I did, so read his review too.
LACO’s got a few cool concerts coming up. The next one we’ll be covering here is December 10th, which will feature some music from Brit boy-genius Thomas Adès. If the season opener is any indication of things to come, I’m excited already.
The Carlsbad Music Festival kicks off tonight in North County San Diego with a free Village Music Walk from 5:30 to 9:30, featuring performances from The Calder Quartet, red fish blue fish, Vicky Chow, Penelope, My Brightest Diamond, and festival founder Matt McBane‘s very own bandsemble, Build. Oh boy, that is a lot of links.
It looks like some restaurants and bars and things like that will be offering deals, stores will be staying open late, etc. This alone probably makes it worth the drive/train ride/5-minute-flight-followed-by-40-minute-drive, but the rest of the weekend looks extremely promising too.
Free picnic concerts on Saturday and Sunday will include Terry Riley’s epic In C (a personal favorite) and West African electronica collective Burkina Electric. The New Amsterdam Records heavy lineup (this is a good thing) will continue with concerts throughout the weekend.
You can check out the complete schedule by clicking here. I personally won’t be able to make it, because that free show alert from earlier this week has led to my getting tickets to LACO‘s concert this Saturday night (with West Coast premieres from Derek Bermel and Osvaldo Golijov), after guitarist Wiek Hijmans literally made my brain melt a little from sheer virtuo-visionary ecstasy. Plus Bright Eyes are playing in Santa Barbara on Sunday night, for those of you who may be interested in that as well.
If you go, please feel free to review your experience in the comments.
Tonight KPCC and the Los Angeles Chamber Orchestra present Plugged in at the Crawford Family Forum in Pasadena, as part of their Campus to Concert Hall program. From KPCC’s site:
Get “plugged in” to the Los Angeles Chamber Orchestra with a performance by Wiek Hijmans on electric guitar, LACO Sound Investment composer Timothy Andres on piano, and LACO composer-in-residence Derek Bermel on clarinet. The trio will explore the reaches of 21st century musical creativity in a free performance as part of the Campus to Concert Hall program. Embrace and celebrate the connection between musicians, audiences and community.
KPCC’s Crawford Family Forum plays host to the Los Angeles Chamber Orchestra on Tuesday, September 20th at 8pm, as they bring a creative, accessible and timely performance to audiences free of charge with a post-concert Q&A and reception with the artists.
Admission is free, but RSVP is required.
This appears to be part of the build up for LACO’s September 24th and 25th concerts, which will feature west coast premieres by Golijov and Bermel. Bermel’s piece is for electric guitar and orchestra, and, as you may have guessed, Wiek Hijmans will be the soloist.
To RSVP and for more details, visit the event page on KPCC’s website.